Game Show Memories – The All-New Alphabet Show.

The All-New Alphabet Show (ITV, 1987)

This is definitely one of the more curious game shows of its era, and indeed this just about qualifies as a comedy panel game (or a parody of one). When ITV decided to extend their hours in the late-80s, as they eventually went 24 hours, they had to fill the time with various things, and this included the Night Network strand. Among the features was a game show.

The All-New Alphabet Show (not to be confused with BBC1’s The Alphabet Game that launched about a decade later) was introduced as “the greatest game in the history of the universe”. It was something to a surprise to realise that this was hosted by Nicholas Parsons, as this was his first TV game show since Sale Of The Century (although he continued to host Just A Minute on the radio), and this was considered to be his comeback.

Two celebrity teams of two took part, consisting of comedians, pop stars, TV hosts, simply anybody who wanted to take the new opportunity of being able to appear on ITV at 2am. This led to a rather bizarre clash of styles as Nicholas interacted with all of these people whilst trying to keep the show under control. There was even a big sparkly curtain in the background so this was clearly going to be exciting.

There were 26 questions on offer, all covering a letter from A to Z. But unlike Blockbusters, it was the category that began with that letter, not the answer. Questions were worth between 5 and a sensational 25 points (although this didn’t really indicate their difficulty). Teams started with 100 points, and they would gain or lose them based on whether they got the right answer or not, and they also had the option to play or pass once they were told the category. Once Nicholas had found his glasses, he would ask the question.

Some questions would also be accompanied by a picture or music video. Teams could even gamble their points if they wanted, and also play the against the clock quickfire extra bonus challenge time round game, or whatever it was called. There would also be clearly pre-recorded applause constantly played, along with many other strange sound effects. Continue playing until time runs out, or bored. The winning team got a pencil, how terrific.

The year so far.

It’s time for a look at what I’ve achieved on this blog so far in 2019. I thought for a change that I would do this at the halfway point of the year, because I have found out more information about some of the pieces that I have done, and I felt that I couldn’t sit on it for the next six months. And well, there’s no doubt for me about what has been the highlight of the year so far. 

This was the news of the reunion of the chart-topping duo Shakespear’s Sister. I thought that they would never get back together, but last year it was announced that they had reconciled after 25 years apart which was unlikely enough, and then this year they caused a surprise by revealing that they had made some new songs and were going to tour the UK. Well, to put it mildly, I couldn’t believe it. 

In May Siobhan and Marcella performed together on TV for the first time since December 1992. It’s fair to say that the response from viewers was mixed, but I’m sure that they will rehearse, gain in confidence, and the tour will be a great experience for everyone, I’ll always stand by them. But it’s not just seeing a new music video which is remarkable, it’s also seeing them interviewed in magazines, seeming to be comfortable in each other’s company again, and hugging on TV, I never thought that I would see the day. It really is the feelgood story of the year. 

I recently reviewed the The Kid, shown on CBBC from 1987-1988. I decided to review this because I thought that there should be more about it online and it had a very short run on TV. Although I enjoyed it I didn’t know anything about the cast, but I presumed that they were proper actors who must have come from somewhere, so I did some research on them, and the results were rather interesting. 

Firstly, I looked for some information about Steve Fairnie who played the lead role in The Kid, and it seems that he had a rather fascinating career, he doesn’t come across as the first person who would star in a zany children’s TV show. This is because he was primarily a musician, he released his first album in 1975, he was in various New Wave/Synthpop bands, including Writz (who made some TV appearances around 1979/1980), and he was also an artist. 

Steve was also in Techno Twins, along with his wife Bev Sage, and in 1982 they had a minor hit single with their version of “Falling In Love Again”. He also had a rather striking look that could best be described as a New Romantic Charlie Chaplin. And there is a video online of Steve talking about The Kid and his career to Mick Robertson (best known for co-hosting CITV’s Magpie) on The Children’s Channel. 

From what I’ve read about Steve he comes across as a entertainingly extrovert and multi-talented man, and no less a figure than Simon Mayo called him “one cool dude”. Steve Fairnie died suddenly in February 1993, he was 42 years old. It was really odd to discover that he died so long ago, I was only nine at the time. I would hope that over 25 years on from his death Steve would be pleased that I discovered his TV show (along with some of his music) and very much enjoyed it, he really was a one-off. 

Steve Fairnie: 1951-1993.

Also appearing the The Kid was Debbie Linden. Again, I didn’t know anything about her career, and I discovered that she was also a rather unlikely children’s TV personality. She was a glamour model, she also appeared in various TV shows in the early-80s including Are You Being Served? and 3-2-1, and it seems that she usually played the stereotypical “dumb blonde” role. Her story doesn’t have a happy ending, I read that she was rather troubled in her later years, and had a rather grim demise. Debbie died in October 1997, age 36. Realising that half the cast of The Kid are long gone definitely put a different perspective on watching the show again, but its “comic come to life” style reminded me of the more successful CITV show Zzzap!, and it definitely deserves to be better known. 

Debbie Linden: 1961-1997.

A while ago I was having a look at some editions of TV Times that I have from the 80s, wondering if there were any shows that were before my time but I knew enough about them to be worthy of a review. One of these was Hold Tight, a CITV show that was originally hosted by Bob Carolgees, and one of the later series was co-hosted by Peter Simon (now I know that nowadays he seems to be making a fool of himself on increasingly small-time shopping channels, but I am still fond of a lot of his TV work). 

The final series of Hold Tight was hosted by Barbie Wilde. Now again, this was someone that I didn’t really know anything about, but I discovered she has had an interesting career too. I found her website which features lots of pictures of her with some of the pop stars she interviewed on the show including The B-52s and Cliff Richard, and as well as being a children’s TV presenter in the 80s, she was appearing in horror films, and was also a host on ITV’s Night Network. 

Now I enjoyed discovering all of this, and she seemed to be an interesting personality. So I decided to raise the stakes a little. If this really is someone who I would be a fan of, I thought wouldn’t it be great if she made a synthpop single in the 80s where she had blue hair in the video, because it seems that I am really fond of that type of thing, I don’t demand much, do I. And well… I wasn’t disappointed. 

Although it wasn’t a hit, I did enjoy “Phantom Lady”, and that’s when I realised this was definitely someone I should find out more about, and I tracked her down on Twitter and followed her. I discovered that Barbie was also in a music/dance group called Shock that included Tik And Tok, they made a few songs and appeared on CITV’s Razzmatazz in 1982. I also looked for more on YouTube, and I found a video that Barbie appears in alongside… Bev Sage, wife of the aforementioned Steve Fairnie. How about that! 

My most viewed blog piece of the year so far is something of a surprise. It’s my second look back at the career of Danielle Dax, someone who really pushed the musical boundaries in the 80s. It has already surpassed the record for the most number of a views a piece has had in a year with six months remaining. I always thought that this would be one of my more niche pieces, so I am very pleased that it has done so well. I don’t intend the piece to be the definitive word on her, but I did enjoy putting it together as it’s a story worth telling, it seems that there are more fans of hers out there than I ever realised which is terrific. I also found a podcast from about a year ago where Danielle is interviewed for over an hour about her career. She’s still out there somewhere… 

Other things I have enjoyed reviewing this year include the children’s TV shows Captain Zep Space Detective, Chockablock, How Dare You! (Carrie Grant is another one who I didn’t realise appeared on CITV in the 80s), The Telebugs, Teletubbies, and Tricks And Tracks (it was a pleasure to be reacquainted with Albie The Robot). Comedies I have reviewed include Faith In The Future, Girls On Top, the recently rediscovered Hardwicke House, Home To Roost, Out Of This World, and Six Pairs Of Pants. I have also enjoyed reviewing more game shows, soaps, and adverts. 

The plan is simply to continue with more pieces. Lots more reviews of game shows, sitcoms, and so on are planned to come. And as I come toward my fifth anniversary of doing this, I’d like to take the opportunity to thank people for your interest, wherever you are, especially those who have liked, commented, and spread the word. It’s good to know you enjoy my nostalgic memories.

The YouTube Files – Night Network.

Night Network (ITV, 1987-1989)

A while ago I did a blog piece looking back at the history of night-time programming on ITV. After having a look on YouTube, I thought that I might review one of the segments that I don’t remember from the time in a little more detail. In August 1987 Night Network was launched, which featured various hosts and was split into segments about 15-20 minutes long on music, film, and so on.

It was an attempt to replicate the feel of a Saturday Morning children’s TV show, but aimed at slightly older viewers, which ran from 1-3am instead of 9-11am, a sort-of cross between Network 7 and Going Live! Night Network was only shown at weekends, originally in the LWT, Anglia, and TVS regions. While trendy LWT viewers might have enjoyed it, its fast-moving format might have been something of a culture shock to the Anglia region where they were still using the rusty old silver knight as their symbol. In no particular order, here’s a look at some of the regular segments. 

The Bunker Show was where Rowland Rivron would interview celebrities about their life. Video View with Mick Brown (who was also a presenter on Capital Radio at this time) featured rock and pop stars who were invited to offer their unflinching views on the latest hit singles which was always entertaining. Brown also hosted a segment called MBTV. 

Pillow Talk was hosted by pyjama wearing-Emma Freud who would interview a celebrity in bed. Chart Attack was another segment that looked at the latest pop music news. Talk Talk with Paul Thompson was another interview segment, and sometimes it could get a little strange. I guess you had to be there. Thompson also hosted a segment called Street Cred. 

Press Gang featured a journalist’s review of the latest music magazines. Leee’s Place was where Imagination singer Leee John would interview a celebrity in a nightclub. The N-Sign Radio with Tim Westwood featured hip-hop and rap music, with some acts having some of their earliest exposure in this country. There was even a game show segment with The All-New Alphabet Game. Nicholas Parsons hosted as two teams of two played word games. 

Small Screen featured film and VHS reviews with Barbie Wilde. Now Barbie also hosted the final series of Hold Tight (that I reviewed recently). I must admit that I didn’t know much about her, so I decided to find out more, and I was fascinated. Canadian-born Barbie had a rather unusual double career in the 80s, being an actress in horror films around the same time she was appearing on CITV. She must be the only person to have both Hellraiser II and The Sooty Show on her CV. 

Along with all this, there were also repeats of cult shows including Batman, Captain Scarlet, and The Partridge Family, plus competitions, music videos, and pop concerts. Night Network eventually extended to more ITV regions (but it was not shown on Central who did its own thing), and by the end its hours were reduced a little as all ITV regions had gone 24 hours by this point and were starting to try out different shows, meaning Night Network came to an end in March 1989 after 1½ enjoyable years.

A Return To The Mysterious World Of Danielle Dax.

As it’s the 60th birthday of Danielle Dax (yes, really), I thought that I would take the opportunity to have another look at her interesting career. Think of this piece as a sort-of deluxe extended version of the one that I did on here about a year ago, as I have found out some more things. Although it won’t ever be 100% comprehensive, I have tried to put together some more information that is worth sharing about Danielle’s TV appearances and magazine interviews in the 80s and early-90s. 

pre-1983: Danielle started her music career in a group called The Lemon Kittens who made three albums, “Spoonfed And Writhing” (1979), “We Buy A Hammer For Daddy” (1980), and “The Big Dentist” (1982). The earliest magazine interview that I have found with Danielle is from Sounds as early as January 1981. She then decided to launch a solo career…

1983: Around this time Danielle performed regularly at the Batcave club in London, and in June she was featured in an article in No. 1 magazine checking out the current goth scene. 

In October Danielle appeared on BBC2’s Riverside‘s Halloween special in what I presume is her first TV appearance to perform “Pariah”. When I found this on YouTube I was very surprised by her striking look of heavy make-up and bright red waist-length hair. It was a remarkable moment, and it is definitely one of my favourite songs by her. When I searched for Danielle on the BBC Genome, this was her earliest mention. I thought that it was good for her to get a namecheck in Radio Times.

I then found the page on a Twitter account that uploads old Radio Times pages, and I was very surprised to discover that there was also a picture of Danielle. Radio Times was Britain’s biggest-selling magazine at this time, I never expected her to feature. I even went so far as to buy this Radio Times online, and then I scanned the picture to feature in my first piece. I still get pleased when I see it appear in an online image search for Danielle, hopefully seeing the picture has brought more people wanting to find out about her career to my site. Also in this year Danielle’s first solo album “Pop-Eyes” was released. 

1984: Danielle appeared in horror film The Company Of Wolves (shown on BBC2 in December 1993 and November 1997, and BBC1 in September 1996), it was a shame that she wasn’t in more films, as it was a memorable performance. In November Danielle had what I’m fairly sure is her one and only reference in Smash Hits. There is a video on YouTube of Danielle performing “Bed Caves” in Holland, I’m not sure what year it’s from but it seems to be from around this time. In December Danielle performed “Hammerheads” on Channel 4’s The Tube. Also in this year her second solo album “Jesus Egg That Wept” was released. 

1985: Some more of Danielle’s TV appearances have turned up on YouTube since my last piece. Firstly, a performance of “Evil Honky Stomp” on TV in Norway… 

…and a performance of “Yummer Yummer Man” on TV in France. She definitely travelled around the world a lot. Danielle was also interviewed in NME, although I’m fairly sure that she never appeared on the cover of a music magazine in the UK, but she did also feature in a few fanzines. 

1986: There is a video on YouTube of Danielle’s concert at a small club in Switzerland, featuring performances of “Evil Honky Stomp”, “Hammerheads”, and “Pariah”. The compilation album “Up Amongst The Golden Spires” was also released in this year. 

In November Danielle was interviewed in No. 1 magazine talking about her spooky observations on life. So there was a picture of Danielle in No. 1 but not Smash Hits? Maybe No. 1 wasn’t such a bad magazine after all. 

1987: I thought that I would try and find out the exact date of when Danielle’s concert at the Camden Palace in September 1985 was shown on TV (as part of the Live From London series). It seems that it was planned to be shown on LWT in May at 1am just before closedown, but then it was postponed (I’m not sure why), and it was eventually shown in June (only in the LWT region I think). It has been released on DVD. There is also an hour-long concert of Danielle in Tokyo that was shown on Japanese TV online. Another compilation album “The Chemical Wedding” was released. 

Danielle never appeared on BBC1’s Top Of The Pops, but in July her video for “Big Hollow Man” was shown on The Chart Show on Channel 4, along with some facts that insisted that Danielle was huge in Japan. The video was also featured on the Indie Chart but it wasn’t played. She also performed this on TV in Germany. Also in this year Danielle’s third solo album “Inky Bloaters” was released. 
In December Danielle appeared on ITV’s Night Network to review the latest singles along with snooker star Steve Davis. I found an interview online where Danielle was asked what it was like to meet Steve, and she said that he was great, and he also phoned her granddad to say hello which made his day. Well my life was definitely enhanced for learning that piece of information. 

1988: In April the video for “Cathouse” was featured on The Chart Show‘s Indie Chart and Chart File Update (it was also Single Of The Week in Sounds). This led to more interviews in various magazines including Record Mirror and NME (with a picture in colour!). “Cathouse” is also Danielle’s most viewed video on YouTube with about 356,000 views. Another compilation album “Dark Adapted Eye” was also released. 

1989: It seems that around this time Danielle was beginning to be pushed in the American market a little more, and she signed to a major label. An article appeared about her in Billboard magazine where she was described as “one woman with the imaginative bravery to break loose”.

In April the video to “White Knuckle Ride” was played on The ITV Chart Show‘s Indie Chart. This video was the first time that I came across Danielle’s music while I was watching some old clips of The ITV Chart Show on YouTube, and I presumed that as much as I liked the song she was just some random here today/gone tomorrow indie woman trying to have a go, but it turned out that I was totally wrong about that. 

In July Danielle was interviewed by the computer on Channel 4’s Star Test. Although she was often portrayed as somewhat eccentric and mysterious (as Radio Times memorably put it), many people have commented that on this show she does come across as rather sensible and grounded, offering some interesting answers. I’m not really sure what motivated her to take part (apart from having a single to promote of course), but I’m glad she did. 

1990: A video was made for “Tomorrow Never Knows”, a cover of The Beatles song (I don’t know if this one was shown on The ITV Chart Show though). Also in this year Danielle’s fourth and final solo album “Blast The Human Flower” was released, which might have been a final attempt to have some commercial success. However, despite good reviews from critics the album seemed to fall into the Catch-22 of being too unusual to be mainstream, but too mainstream to be unusual. 

1991: I couldn’t find much for this year, apart from a few concert pictures, and a magazine article about Danielle visiting a radio station in America where she was described as a “sultry siren”. Unfortunately, this was around the time that Danielle left the music business, despite much praise from critics and fans, her hard work over the past decade and unique approach to music had brought her no hits. There isn’t much known about what she did next, even her official website has little information about her career post-1991, but here’s a few things that I have found out.

post-1991: Danielle’s most high-profile release since “Blast The Human Flower” has been the 1995 best-of “Comatose Non-Reaction”, which was released on her own record label Biter Of Thorpe. Isn’t it about time that all her albums were re-released in a big nice shiny boxset? I’d buy it. Away from music, Danielle has worked as a home and garden designer, and in May 1997 she appeared on BBC2’s Home Front and won their design competition. This edition hasn’t turned up on YouTube, I would very much like to see it, if anyone does upload it I will be your friend.

Also around the late-90s there were various shows about home design on ITV including Des Res and Our House, and it seems that Danielle might have contributed to these too (again I think these were only shown in the Carlton/LWT region), along with various magazine articles about her design work. I have also seen people say that Danielle was on the team of various TV makeover shows including BBC1’s Changing Rooms and ITV1’s 60 Minute Makeover, but again I don’t know if that’s right.

This all leads to when I found an article online about Danielle doing a small-time gig (her first for a very long time) about a year or two ago at a club in Dalston in London, which is only about a mile from where I live, I was very surprised to say the least. The article also featured some pictures of Danielle on stage, the first that I’ve seen of her for about 25 years, and she now seems to have bright blue hair and big red lips, and I couldn’t help but think that she looked like Stormer from 80s cartoon Jem. 

You’ll never believe what Danielle Dax looks like now!

I should conclude by saying that I have noticed that many people still seem to have a lot of admiration and fondness for Danielle’s work, and although I only really discovered her myself about a year or two ago, I can clearly see why. And the amount of times that I’ve seen people say “she should’ve been bigger than Madonna” and regret that it didn’t work out for her is remarkable. Thanks for lots of great memories!

The YouTube Files – The Spooky World Of Shakespear’s Sister Part 1.

After writing about Shakespear’s Sister a lot on here, I have decided to do a piece looking back at their career. Not only did they make some great records, but their rise to fame was an incredible story. It’s similar to what happened to Strawberry Switchblade who I wrote about on here recently, they were also a female duo with a distinctive look who suddenly found success which caused tension between the pair of them, but this all happened to Shakespear’s Sister on a much larger scale.

In 1988 Siobhan Fahey (born in Dublin in 1958) left the successful pop group Bananarama to work on a new solo project. After a while she was joined by the American singer/songwriter Marcy Levy (born in Detroit in 1952) and they made an intriguing double act. Marcella had already been in the music business for a long time, working alongside the likes of Eric Clapton in the 1970s, having a US hit single in a duet with Robin Gibb in 1980, and releasing her first solo album “Marcella” in 1982, although this wasn’t a success. This will be a look back at some of their various TV appearances and music videos on YouTube from 1988-1996 and it will be in two parts. 

It all started so quietly. In October 1988 the first single the double A-side “Break My Heart (You Really)”/”Heroine” was released, but it wasn’t a hit. All of the videos from this era (with the exception of “Dirty Mind”) were directed by the award-winning Sophie Muller, and they were all marvellous, with a lot of hard work put in to make sure that their image was as striking as their sound. At this point it seemed highly unlikely that Siobhan would transform into someone trying to beat Siouxsie Sioux at her own game but that’s how it turned out. One of Siobhan’s earliest TV appearances talking about her new project was on ITV’s Night Network where she was interviewed by Pat Sharp’s mate Mick Brown. 

Also around the end of 1988 a 15-minute film was made of their visit to the USSR which featured some bizarre behind the scenes action along with performances live on stage in Leningrad of “Dirty Mind” and “Heroine” (where Siobhan looked uncannily like Jessie J oddly). 

In July 1989 the big breakthrough came when “You’re History” became their first Top Ten hit single, reaching no. 7, and leading to their first appearances on Top Of The Pops and The Chart Show. This was the first video to feature Marcella who was now a full-time member and by this point she had changed her surname to the city of her birth. What was noted by many people was the contrast between Siobhan’s low voice (her vocal style was once described by Q magazine as “honking from the bowels of Hades”) and Marcella’s high voice. 

Also in July 1989 Siobhan appeared as a guest on Channel 4’s Star Test. This was a great  show so it’s very good to know that Siobhan once sat in the chair to be interviewed by the disembodied voice. She revealed some interesting things about herself including the first single that she ever bought was “Ain’t No Sunshine” by Michael Jackson, she does believe in ghosts, and she is totally fascinated by world events. When asked to promote “You’re History”, she said that making the video was “a scream to do”, and concluded “it’s fabulous actually, I just love it”. 

In September 1989 the first album “Sacred Heart” was released which reached no. 9. In October 1989 the next single “Run Silent” was released which reached no. 54, and the video was shown on The ITV Chart Show. It was also around this time that Siobhan appeared on the cover of music magazines Record Mirror and Smash Hits, where we were given a chance to enter her spooky world. A VHS containing the videos of the singles from “Sacred Heart” (plus the Russian film) was released in 1989. 

In March 1990 the final single from the first album “Dirty Mind” was released, but it reached a rather disappointing no. 71. This was a remixed version which was totally different to what was on the album and it featured a rap from Marcella! Also in 1990 they were nominated for a Brit Award in the Best British Newcomer category, but they didn’t win. 

When work began on the second album “Hormonally Yours”, they must have decided although they had done well they wanted to take their success to the next level. Some of the album’s songs and videos were influenced by the unintentionally bad low-budget 1953 science-fiction film Cat-Women Of The Moon. There was a song that was beginning to stand out and look like it had the best chance to finally take them into the upper end of the chart. Siobhan didn’t want this song to be released as a single though, saying that she felt that it wasn’t representative of the band’s sound as a whole (and possibly because it the only song where Marcella took the lead vocal). So instead, the first single off the second album was chosen to be “Goodbye Cruel World”. 

In October 1991 “Goodbye Cruel World” was released and it was accompanied by another great video that was influenced by such classic films as Sunset Boulevard and Whatever Happened To Baby Jane? and featured some marvellous acting by Siobhan. It was also 1991’s Best Video Of The Year on The ITV Chart Show. However, it didn’t get the second album off to the high-profile start that they wanted and it only reached no. 59. 

After this setback, it was at this point that the decision was made that they would now have to release this song with potential as the second single off the album, they were practically sat on a Number One single and it was felt that people would enjoy it and it would finally bring them huge success, but Siobhan was still rather reluctant. Would this song revive their faltering career? Well as we’ll discover in part two, at the beginning of 1992, a phenomenon was born…

The YouTube Files – The Mysterious World Of Danielle Dax.

When I remembered that this year is the 25th anniversary of “Stay” by Shakespear’s Sister’s epic run at Number One on the singles chart in the UK, I decided that I wanted to do a blog piece sharing my memories of that song and give the group a reappraisal. Whilst putting the piece together I discovered something about Siobhan Fahey that I couldn’t believe and I ended up writing about that remarkable story instead. I then started to wonder if there were any other women with an extrovert personality who made similarly spooky or just plain weird records around the same time, and I was very pleased when I discovered someone who just about perfectly fitted the criteria of what I was looking for.

When I decided to review the Channel 4 interview show Star Test recently, I was very pleased when I discovered that Siobhan had appeared on the show as a guest. Whilst trying to find some other editions to watch on YouTube, I found one which featured a musician called Danielle Dax. I must admit that I knew nothing about her beyond remembering seeing a couple of her videos played on The Chart Show‘s Indie Chart in the late-80s on YouTube, but seeing her on this show finally made me curious to discover more about her, and I was very surprised by what I discovered. It seems that Danielle could be described as one of the best-kept secrets in British music in the 1980s.

Danielle Dax was born (in the same month as Siobhan in an almost interesting coincidence) in Essex and throughout the 1980s she made several creative albums. She was also in total control, writing her songs (which sometimes featured rather hard-hitting lyrics), playing a wide variety of rather unusual instruments, and she even organised her tours and interviews, not settling for any interference from record labels or anybody else on the direction of her career. In the articles that I found about her work online, words such as “unique”, “experimental” and “cult” turned up several times, and she was often compared to the likes of similarly out-there singers Kate Bush and Siouxsie Sioux. However, despite her obvious talent, pioneering work and interesting personality being acknowledged, she had precisely zero hit singles and albums in this country, before she dropped off the scene, and a lot of people still can’t believe that she was never a huge success. This piece will take a look back at the small amount of Danielle’s TV appearances and music videos that I have found on YouTube as I wondered why she never hit the big time… 

1983: After leaving the Lemon Kittens, Danielle released her first solo album “Pop-Eyes” (which had a famously grotesque cover) and made one of her earliest TV appearances on the BBC2 music show Riverside shown on Halloween where she was simply described by Radio Times as “mysterious” and performed her song “Pariah”. I must admit that my jaw almost dropped the first time I saw this. Not only because it’s a very odd song featuring strange squeaking and buzzing noises with bizarre lyrics that showed off her remarkable vocal range (“walking sick sick they walking the town“), but I was also surprised by Danielle’s distinctive look with her massive red hair and heavy make-up which made her look like a long-lost cast member of post-apocalyptic drama The Tribe, or maybe pop group Strawberry Switchblade (ask your dad), which is a great thing of course. It was a fascinating performance and it was the moment that I realised what an intriguing talent she was. Who knows, maybe in a parallel universe somewhere “Pariah” spent eight weeks at Number One on the singles chart. 

The “mysterious” Danielle Dax appears in Radio Times in October 1983

1984: Danielle made a brief but memorable appearance in the horror film The Company Of Wolves. Although she only appears for a couple of minutes and has no dialogue, you certainly noticed her. She played a wolfgirl who is taken in by a priest (played by the old boy in early-90s sitcom Waiting For God, I’ll never look at that show in the same way again). She spent four hours in makeup! According to the IMDB this is Danielle’s only acting credit, I wondered if I would ever see it on TV, and then the film turned up recently late at night on the London Live channel, which was an odd coincidence. 

Also in this year, Danielle appeared on Channel 4’s music show The Tube where she was interviewed by Paula Yates and performed her song “Hammerheads”. The only article about Danielle in Smash Hits that I have been able to track down is a paragraph from a November 1984 issue about “Jesus Egg That Wept” including the fact that she likes to play the honkytonk piano. Described as “weird“, unsurprisingly. 

1985: Danielle performed a concert at The Camden Palace, which in 1986 was shown on LWT as part of their Live From London series (I haven’t been able to track down when exactly, but probably rather late at night and only in the LWT region). I was rather surprised to discover that this concert has been released on DVD, where she entertained the crowd by playing 15 songs including such bangers as “Here Come The Harvest Buns” and “Yummer Yummer Man”, and it was a great experience to see one of her shows and be in her company for an hour. 

1987: Danielle made a video for her single “Big Hollow Man”. She also performed this song on a German TV show. 

Also in this year Danielle also appeared as a guest on ITV’s late-night entertainment show Night Network, where she reviewed the latest singles alongside snooker champion Steve Davis which made for an unlikely pairing. And Danielle performed a concert in Tokyo which was shown on Japanese TV. I’m not sure how successful she was in other countries but it seems that she has fans all over the world. 1988: Danielle’s single “Cathouse” which featured some fancy visual effects was played on The Chart Show‘s Indie Chart on Channel 4. Also around this time, Danielle was interviewed in various music magazines including NME and Melody Maker, although I’m fairly sure she never appeared on the cover of any of them. 

1989: Danielle appeared on The Chart Show‘s Indie Chart on ITV with her great single “White Knuckle Ride”. 

Also around this time, Danielle made what must be one of her most high-profile TV appearances when she was a guest on Channel 4’s prime-time interview show Star Test and she faced the computer’s probing questions. She introduced herself by saying “I write and record all my own music, I produce it, I paint, I design record covers, I make clothes”. She revealed some interesting things about herself, for example when asked “which is your best physical feature?”, she said “ooh, my hair!”. Also, when asked “what’s the one thing you don’t have in your life that you would really like?”, she said “a cat”. According to her website, Danielle now owns four cats, so I suppose it is sometimes possible to get what you want in life. 

1990: In what was seemingly a final attempt to push Danielle into the big time, she signed to a major record label and released the album “Blast The Human Flower”, which featured a psychedelic cover of the Beatles song “Tomorrow Never Knows” which was fairly mainstream by her standards. Her look in the video was somewhat toned down by this point, although she still had a rather large red beehive hairstyle. It seems that also around this time she appeared on BBC2’s Juke Box Jury but that doesn’t appear to be online. However, once again this wasn’t a success and Danielle missed out on fame. She was then dropped by her record label, and about a decade after her first album was released, she practically vanished off the music scene altogether, but it was also rumoured that around this time she became ill. Intriguingly, although there was a best-of album released in 1995 called “Comatose Non-Reaction: The Thwarted Career Of Danielle Dax”, there seems to be almost zero audio or visual evidence online of Danielle’s existence post-1991, which just adds to her mystique. Danielle is most certainly still with us though and the story doesn’t end here… 

After that..: In more recent years after leaving music behind Danielle’s career took an unlikely swerve and she has gone to have some success as an interior and garden designer, with her Brixton home which she designed herself featuring in several magazines. In May 1997 Danielle featured in BBC2’s interior design show Home Front when she was one of the three finalists nominated for the Radio Times/Home Front Amateur Decorator Of The Year award. 

The finalists were challenged to decorate a room on an estate in Nottinghamshire. They had 48 hours, a limited budget, and four of their own items to decorate the room. The winner was determined by a judging panel of the show’s presenters, along with a phone vote that was open to viewers to choose their favourite. “I’ll be looking for someone who is courageous with bold and original designs and ideas” said judge and Home Front presenter Anne McKevitt. As it turned out, Danielle won the competition and appeared on the show a few times, and her work in this area has gone on to be much acclaimed.