In At The Deep End (BBC1, 1982-1987)
I thought that I would try and get another blog piece out of Bananarama… you might remember a while ago I did a piece about what they meant to me where I discovered something rather remarkable about them, it’s really great. So I thought that I would take a look back at one of the more unusual moments in their career that was first shown on BBC1 on 10 February 1987.
In At The Deep End was a documentary series where Paul Heiney or Chris Serle who alternated as hosts (and were also on the panel of That’s Life! around the same time) had to learn a new skill. In one edition Heiney was challenged to direct a music video for a major pop act, even though he had no experience in that area (and he wasn’t exactly familiar with all the big names in pop music at the time either). There was also an article promoting the show in that week’s Radio Times.
Paul began by talking to various people in the business for advice including Top Of The Pops executive producer Michael Hurll (and we also had a brief behind the scenes look at TOTP which was good) and film director Ken Russell. All he needs to do now is find a record label with a pop group that will agree to take part and put their trust in a total novice, knowing it could be a case of “nice song, shame about the video”… now who’s that going to be?
Bananarama were a big deal around this time, they recently had a Number One single in America with “Venus”, and many people were looking forward to their next move. Paul was on board to direct the video for their new single “A Trick Of The Night” (on the “True Confessions” album, and this 50-minute documentary is featured as an extra on the DVD of the deluxe edition).
In his role as director, Paul also has to assemble a crew to make sure that everything is to his liking, and learn the words to the song. It clearly looks like there might be more to this than he first thought. When Paul shows The ‘Rams (as they were called in Smash Hits) his storyboard for the video their response to his ideas is rather a lot of indifference (oh to have been there when Siobhan saw the storyboard for the “Stay” video for the first time, that would’ve been something).
They don’t seem to be too excited about it, but will Paul be able to get the job done in time behind the camera and make them look and sound good as required? He takes his seat in the director’s chair and tries to get things going. Paul informs us that two hours on the shoot have already been lost while the ladies decide on the colour of their makeup, even though the video’s going to be in black and white. Not a good sign.
And well, if you thought they were indifferent to start with, the ladies were practically horrified by the end product (“I’m not sure it’ll hold people’s attention from start to finish” said Siobhan, who definitely wouldn’t be having that problem with her music videos five years later). This edition of In At The Deep End was shown as a one-off to coincide with the release of “A Trick Of The Night” in February 1987. Hurll and Russell thought that he didn’t do too badly for a first attempt, but how did it all turn out?
The single reached No. 32, the ladies were reported to have not enjoyed the experience at all, they promptly went off and made another video with a tried-and-trusted director, and this is now considered to be the official video. This version wasn’t even included on the DVD of their best-of compilation released in 2012. Oh dear. Thank goodness it didn’t finish off their career.